upcoming
Aeroelastic Flutter
25.06 – 12.07.2026
group show
Floorplan & press release
After four years at Hobrechtstraße 31, GUTS is closing this chapter with one last exhibition: It’s Curtains. More than just a farewell, this event pulls together all the artists who have shaped the space since its beginning, while also opening up the architecture itself: the walls, the corners, the stage tricks usually kept hidden.
The title plays with endings and beginnings: it’s curtains for this location, but not the final curtain call. GUTS will reopen this September at Engeldamm 64, transformed yet continuous, carrying its history into a new setting.
It’s Curtains serves as both a collective goodbye and an instant snapshot of what GUTS has been. By reuniting the artists who have exhibited here, the show becomes a living archive, a compressed memory of four years of experimentation, risk, and collaboration.
This one-day event is also a celebration of transition. To shed a skin is not to disappear but to mutate into something that has already begun to take shape.
Participating artists:
Ballmer/Hayward, Beth Collar, Discoteca Flaming Star, Philippe Durand, Andy Fitz, Andreas Hochuli, Rindon Johnson, Aristilde Kirby, Lotte Leerschool, Niclas Riepshoff, spalarnia & Systems Research Group
7PM
Andy Fitz
17.05 – 30.05.2025
7PM by Andy Fitz is an immersive, performative visual installation that invites visitors into the residual energy of a moment. Through sculptural distortions, environmental sound, and symbolic objects, it meditates on collective frustration, political speech, and the tension between action and silence in times of social pressure.
Höhle
Philippe Durand
20.09 – 06.10.2025
Höhle by Philippe Durand unfolds as a subtle and sensory installation, inviting the viewer to journey between the deep history of the Chauvet Cave and a poetic, tactile reappropriation of the image. The exhibition creates a space where time seems suspended, connecting prehistoric gestures with contemporary modes of seeing. Through the metaphor of the body, shadow, and dream, Durand highlights the porous boundary between material reality and imagination. His work restores to the image not only an emotional resonance, but also a kind of living presence, an aura that resists the disenchanted gaze of modernity. In this way, Höhle becomes less an exhibition than an experience of re-enchantment, where vision is guided as much by memory and sensation as by form itself.
Give Chase
Rindon Johnson
26.08 – 25.09.2022
Rin’s text
GUTS is 153 meters of white floor-to-ceiling curtains and the space they enclose. GUTS is also what transpires in this space: a program of art exhibitions, readings, and performances. The soft walls diffuse light, dampen sound, and require creative hanging. They are temporary and transient, deployed only when needed and portable by suitcase. When unfurled, GUTS becomes a site of political and aesthetic digestion. To take digestion as the guiding principle for an exhibition space is to acknowledge that it takes time to process art and that making or consuming art is not always productive. Taste may determine what enters the digestive system, but the gut is responsible for sorting nutrients from waste. This task is imperfect and never-ending but it provides sustenance. GUTS invites viewers to ruminate and strives to offer energy for future exercise.
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